Doing Some Simple Ruler Work on my Home Sewing Machine

March 4th, 2014

 

blue-tote-1

I am trying to get back to learning more about using rulers on my home machine, so I played around with the front and back of this tote.  These will be used for another sample of the Tulip Tote Bag.   I opted to just use straight lines and for these tote fronts, I used 2 rulers, the short 6 inch Fine Line Ruler and the longer Handiquilter ruler.  I kind of got spoiled by the handles on the Fine Line Rulers so I had Ernie cut  several short pieces of 1/4 inch acrylic rod and then I super-glued them to my Handi Quilter rulers.  You can see that below:

 

blue-tote-1.5

I kept this really basic and just started by creating some geometric divisions in the center section.  I wish I could say this was part of some master plan, but it was all I could come up with on the fly!  Here’s the top once those divisions were in place:

 

blue-tote2

I then used basic loop-d-loop in a line to fill in the spaces.  More and more, I am feeling that fill in work looks better if it doesn’t completely fill in a space and deliberately doesn’t touch boundary lines:

 

blue-tote3

Here’s what the back of it looked like at this point:

 

blue-tote4

My last move was to fill in the rest with a simple swirls design.  I actually switched to a different color thread for this section but it’s so subtle that you barely notice it:

 

blue-totecloseup-swirls

I really love all the texture created by the machine embroidery applique; it makes me want to run my fingers across the quilt.  These shapes are from the Stylized Stems 2 die and the Tulips die:

blue-tote-closeup2

I have done more free motion quilting in the last 2 weeks than I’ve done in months.  This is really good for my soul and spirit and I need to find a way to be doing more of it daily again.  Who would think that doodling with a sewing machine could be so fulfilling?

 

Combining Freehand Quilting with Embroidery Machine Quilting is Ooh-La-La!

March 1st, 2014

I had lots of fun the other day messing around with melding a quilted design I made on the embroidery machine with some freehand quilting.  This is very easy to do so I want to walk you through how I did this.  I began by stitching out a quilting motif on my embroidery machine and I used the feathered star motif that you see below:

 

EF0.5

(This motif is available as a downloadable design in our store and you can find it here.)  Technically, I stitched this out as an embroidered design because I did not add a batting layer, but if you wanted to, you could have added a batting layer in your initial stitch out.  I removed it from the hoop and  trimmed away the excess stabilizer from the backside, so this is what the backside looked like once I was done:

 

EF0.6

Next, I pinned a piece of scrap batting behind the block and this is to create the trapunto layer.  It’s very hard to see in the next photo, but I used a soap sliver to draw “boundary lines” 1 inch beyond all the outermost stitched lines of the star.  This created an even larger star that I used as my boundary lines for freehand stitching of plumes around the original “star skeleton.”  In the photo below, the stitching in turquoise thread is the plume stitching I’m talking about:

 

EF1

(The point of the boundary lines that didn’t show up at all in the photo was to make my freehand larger feather fairly symmetric.)  Next, I went in with my trusty Robison Anton 24 karat gold rayon thread and hyperquilted those new plumes:

 

EF4

Yahoo!  This design is coming to life, but we’ve just gotten started!  Next up, I cut away all the excess batting that fell outside my quilted design.  This is what the backside of the block looked like at this point:

 

EF5

(Notice that there are lots of big knots and untrimmed thread tails… no one will ever see this layer except you, so there’s no need to be neat on this layer!)  Next, I added a border onto the block.   I have no idea what I’m going to use this for, but I did this to show you that when you’re doing trapunto projects, you always want to work in ways that are easier for you.  This step was merely to illustrate the point that you don’t need to even have a block or quilt top completely pieced to add trapunto layers or quilting details.  (Smaller blocks=less work since there’s less weight and less bulk to move around on your machine bed.)  Anyway, here’s what it looked like at this point:

 

EF6.4

 

Now is the time to add a batting layer under the whole quilt, and add that backing layer of fabric.  (i.e. this is now in the final quilt sandwich.)  This next step is where the magic happens!  I put invisible thread in my top needle (Monopoly by Superior Threads) and  a purple thread in my bobbin and began outlining “zones” of my quilted design. You are in the driver’s seat here, because you decide what  you wish to highlight with the trapunto layer.  The most important piece of advise I can pass along to you is that you don’t want to outline everything!

EF67

 

When you do this, always begin at the center of the design.  I outlined the circular feather in the center (note that I did not outline the hyperquilting layer inside that feather), then I outlined the inside of the tiny plumes of the star. I then went in and outlined the outermost layer of gold star stitching.   Lastly, I went in and outlined the outermost layer of my freehand plumes.  I think you may get a better sense of the wonderful textures and “zones” that were created in this photo:

 

EF66

Lastly, I did my outline quilting surrounding the star:

 

EF7

 

I still haven’t done anything to that border zone, but this gets you an idea of what the center block looks like completed.  This is a way to enlarge an embroidery design into a larger quilted motif.  If you want to play wound with it, that original star motif can be found here.